A Tale of Two Givys

“I put it on and I was like, yes!” – Alexa Chung

In March, I fell hard for a dress I saw in a photo: Alexa Chung in a black lace mini with a cape-like drape on her way to a Givenchy show at Paris Fashion Week. Considering her Givenchy Slice Mini Ruffled Dress in Black Lace retailed for a whopping $17,200 CAD, I sighed my little sigh. Then, I saved the photograph of Alexa in her mini to my file of “Sewing Crushes,” something I’d try to make for myself when I had the chance.

I guess I wasn’t the only one who was in love with the look, because, come summer, a slew of sewists on Instagram, Suzy Sankey, for example, started making their own versions of the now-iconic look. Next thing I knew, SisterMagPatterns published a full pattern, aptly named the Givy dress, and I immediately grabbed the pdf. Before I’d even printed the pattern or purchased my fabrics, the miraculous Melissa @neocraftsical had made three versions of the Givy in three different fabrics to show how incredibly versatile the look can be.

Inspired, I not only bought myself a rose-patterned lace with a swishy lining for my upcoming wedding anniversary dinner date, I grabbed a cotton eyelet with a cotton lining for our planned day-date at the cinema. Wedding anniversary weekend sorted.


ET VOILA! A TALE OF TWO GIVYS

IT WAS THE BEST OF TIMES, IT WAS THE BEST OF TIMES,
FULL STOP!


Basic Alterations to the Pattern

Length

I lengthened the whole thing! I don’t really like mini-dresses. So, while I wanted the Alexa-in-Givenchy look, I went for what turned out to be a Degas-ballerina-vibe, length-wise. To do this, I cut the front and back bodice and lining pieces out along the largest size at the hem, which gave me approximately 3 inches additional length. Next, I added appromixately 2.5-3 inches to the length of the ruffle pieces.

Pocket Size & PLacement

I used my own go-to self-drafted pocket pattern, because it’s larger, and raised the pocket location. Since I’d added so much length to my dress, I knew my big pockets weren’t going to be reachable in the ruffle section, alone. So, I set the pockets in along the side seams of the bodice as well as along the ruffle. I believe I started at about 3-4 inches above where the bodice & ruffle meet. To accommodate this change, during construction, before attaching the bodice to the lining, I only joined my bodice pieces about half-way down at the side seams. I then attached my ruffle pieces to the front and back bodice pieces separately before adding the pockets and finishing the remainder of the side-seams.

FRONT BODICE NECKLINE TRIMMING

I’d heard that some people find the neckline of the front bodice of the pattern gapes a little bit. I’m not sure this would have been the case for me. However, I wanted a sure win the first time around, so I followed Melissa @neocraftsical’s advice to take in the front bodice by about a finger’s width along the centre fold-line. I drew a vertical line on a fresh piece of tracing paper. I lined the bodice pattern piece up along this line via the fold-line. Then, using a pivot point midway down my vertical line, I angled the top of the bodice piece forward across the straight line by about a finger’s width. On my tracing paper, I then drew a horizontal line from my vertical line to the top of the shoulder. Similarly I extended the curve from the lower hem to the vertical line. Above, I’ve attached a fresh drawing similar to the one Melissa shared with me in order to show you how it’s done. I then made the same alteration with the front lining piece.

OMITTING THE ZIPPER

I did not bother with the zipper in the pattern. The dress fits just fine over my head without the addition of the closure.

Notes & TIPS

Fair warning, this particular pattern, printed, appears to include both seam allowance and stitch lines. Make sure you cut your pattern along the seam allowance, not the stitch lines!

A lot of the instructions take place in the online links/tutorials. The printed pattern has a nice qr code so you can easily scan with your phone. The videos themselves are completely thorough and specific to the Givy pattern in particular. So, Bravo.

I may be wrong, but I don’t think the strap pattern piece is quite the same size/shape as the measurements they recommend in the instructions? I ended up cutting fresh strap and lining pieces according to directions printed in the step-by-step instructions.

When gathering your ruffles, it’s a good idea to use a different coloured thread for your basting stitches, so it’s easy to see.

Also, I gathered my ruffles in four quadrants or sections, with a slight overlap, and then marked my bodice pieces in four quadrants or sections along the bodice hem to make it easier to piece together evenly.

COST

Givenchy Dress: $17,200.00 + HST = $19,436.00 CAD
versus
TWO Givy Dresses: $214 + HST = $241.82 CAD

SisterMag Givy Dress Pattern: $21
Printing from Spool & Spindle: $18
Fabric from Fabric Town 2858 Danforth, Toronto
4 Yards Poly Lace: $80
2 Yards Poly Lining: $20
4 Yards Cotton Eyelet: $65
2 Yards Cotton Lining: $10
Subtotal: $214
[Not including labour, thread, notions, all on hand]
HST: $27.82
Total: $241.82
Two dresses for 1.2% cost of the couture piece!


“I put them on, and I was like, Yes! Yes!” – R.S.C.

Responses to “A Tale of Two Givys”

  1. Christine A Avatar
    Christine A

    A fascinating write up. You look smashing in your Givy dresses. I noticed the gaping neckline on the pattern cover and wondered how you had avoided that. Thanks for explaining your method so fully. Enjoy all your anniversary celebrations!

    1. Roseanne S. Carrara Avatar
      Roseanne S. Carrara

      Thanks Christine! All thanks to Melissa for the original help as well 🙂

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